Australia’s most brutally alarming cultural export since George Miller’s Mad Max franchise makes music that serves as a loud last gasp against the ever-encroaching void. It’s a blazing light of nihilistic despondency before the final darkness. Fusing authentic crushing death metal with blackened fury and flashes of knuckle-dragging stomp, THY ART IS MURDER exorcise the pangs of mortality and the pains of socio-political trauma.
THY ART IS MURDER’s thinking-person’s blackened death metal has challenged and inspired audiences around the globe, from top-tier genre festivals like Download, Graspop, Hellfest, and Summer Breeze; to high-profile tours supporting Killswitch Engage, Parkway Drive, and Architects; to multiple headlining and co-headlining shows. In their native country, they’ve charted higher than any other homegrown extreme metal band. Guitarist/co-founder Sean Delander, guitarist/lyricist Andy Marsh, singer Chris “CJ” McMahon, and bassist Kevin Butler officially welcome drummer Jesse Beahler (Jungle Rot, Black Crown Initiate, Rings Of Saturn) into the fold with Human Target, who brought a groovy yet technical approach to the proceedings. Marsh and Delander wrote the songs in just a few short weeks, with producer Will Putney once again at the helm.
THY ART IS MURDER continues to rail against the anti-intellectualism and fear of mortality at the heart of some of the worst of public policy. In contrast with their impressive back catalog, no song on Human Target singles out organized religion or the concept of God specifically. The title track is about the practice of organ harvesting in China, where the World Heath Organization found a huge discrepancy in the number of organs volunteered by donors and the number of organs transplanted into the wealthy. “Make America Hate Again” isn’t intended to alienate any of the leftist band’s more right leaning audience members; it’s an attack against the entire political system, satirizing the expectation that any government will make things “great” for the masses. “New Gods” is about the role of social media in the mental health epidemic. “Death Squad Anthem” champions the youth who are fed up with the current system. “Welcome Oblivion,” inspired by a line from the late Christopher Hitchens’ Mortality, likens humankind to a “cancer” upon the planet. A fresh generation of extreme music acolytes and longstanding death metal fans alike enthusiastically endorse the unrelenting aggression and increasing lyrical depth of THY ART IS MURDER. Videos for “Puppet Master,” “Holy War,” “No Absolution,” “The Purest Strain of Hate,” “Shadow of Eternal Sin,” “They Will Know Another,” and “Light Bearer” have accumulated 40 million views, 13 million of them for “Reign of Darkness” alone.
If this is truly the soundtrack to the end of humanity, it’s music that should unite and empower extreme metal fans in all corners of the genre. This is underground music for the people, carrying the torch for a primal style that doesn’t die. As New Noise declared, “few embrace the feel of the apocalypse so dearly and expertly… THY ART IS MURDER is clearly at the head of the modern death metal pack [and] they are just getting better.”
THY ART IS MURDER - HUMAN TARGET
- Human Target
- New Gods
- Death Squad Anthem
- Make America Hate Again
- Eternal Suffering
- Welcome Oblivion
- Voyeurs Into Death
- Eye For An Eye
- Chemical Christ